On Sunday 15th November I had the privilege to be interviewed on Radio Blackfrog – Thame’s internet radio station. I also performed a few tunes and talk about a couple of my favourite songs and a few stories from my musical life so far!
If you missed it, you can catch up with the link here… http://www.radioblackfrog.co.uk/catch-up.html
Over the last few weeks I have been doing a great deal of different types of work, each with different responsibilities. It has been a real thrill too, because I feel like I’ve succeeded in doing a good job with each of the challenges in front of me – particularly with the time I’ve had to prepare – and that gives me the sort of buzz I am looking for.
Since playing in Grease at the New Theatre in Oxford, I’ve spent quite a bit of time with the Denmark Street Big Band, playing three gigs with two of them being a bit of a trek, including ventures to Inverness (at the castle where Madonna got married), and to Great Yarmouth to play in a Big Band festival. All three gigs were fantastic fun with material ranging from Glenn Miller to Sinatra, Buble, and Basie, as well as two shows dedicated to the work of Bobby Darin.
I had the privilege to be able to play solo at my brother’s wedding, and also as a special part of his wedding speech, a solo gig for Team GB Triathlete, plus a jazz performance with my quartet to relaunch a stately home/hotel for DeVere Hotels.
Things are fairly relentless at the moment with final rehearsals on Monday for this year’s Live at the Rose event, as well as an Irish-themed recording session coming up where I need to get the mandolin out. Coupled with new ukulele and bass students it’s a very busy time!
I’m currently playing on Sweet Charity for the Tring Festival Company at the Court Theatre in Tring.
The score requires me to play a Jazz semi acoustic, and a classical guitar since it’s largely made up of big band and flamenco style parts. It’s quite a challenging pad because a lot of is counted in two which makes reading it a bit tricky at times. There are some uptempo pieces in 3/4 too which are quite exciting!
I’m running my Gibson ES175 and my Manuel Raimundo classical through my AER compact sixty. I’ve got a touch of slap-back delay on the 175 for a 60’s vibe and that’s about it! It’s a nice, practical set up that sounds great and is really easy for the sound guys to work with. Lovely!
