Playing on Annie, Hairspray and Legally Blonde

Over the last couple of months I have been fortunate enough to play guitar on a number of shows in Hertfordshire and Oxfordshire. This has been instrumental in keeping my sight-reading in fairly nimble shape, and has been a lot of fun!

Annie was at the end of March, and I used the Variax Acoustic to cover the banjo and steel string sounds which seemed to suit the vibe of the show pretty well. There’s a lot of chord work in this show, with limited single notes lines – but they’re pretty exposed when you get them! – and there’s a real big band-style to some of the playing. That was the approach I took, and it was great to play alongside some less familiar brass instruments than I’m used to!    
Hairspray took place at Wyllyotts Theatre in Potter’s Bar, and was a great play! I was covering both guitar parts, and the pad was organised in such a way that they ran concurrently rather than in separate books. This meant it was easy to compare both on the fly, and bring out what was most important at any given time.   

 This is a 60’s show, with smattering of tremolo and largely clean sounds, so I engaged my USA Deluxe Strat for this, and my Les Paul for the more jazzy-type numbers. It was definitely worth taking both as they complimented each other well and were perfect foils!    
I’m currently prepping for Legally Blonde, which runs next week at the New Theatre in Oxford. It’s a beautiful theatre, and the company is fantastic so I have high expectations of the product we’ll all be able to put together! 
   
 The music is very pop-based but with lots of variety with traditional Irish, rock, dub reggae and disco well represented too! There’s a lot of detail in the part and I’m really trying to bring everything out, and more, to make it as dynamic and interesting as possible. Come down and check it out! 

Blues Junior Rebuild


This month I spent a couple of days rebuilding my poorly Fender Blues Junior with the chaps at Vyse Amps in Pinner, London. 

The amp has been my go-to combo for 8yrs, and being 12yrs old and seeing a lot of action, it has had a lot of heat cycles through the solder joints which is the root of the problems coming through. The power amp valves’ solder was beginning to crack, and the tracks on the PCB were lifting and ultimately breaking. 

The solution to this – which would become endemic throughout the rest of the amp in time – was to remove all of the original components, and replace with a new circuit built in an old-school ‘point-to-point’ fashion which would enable me to make modifications or replace any faulty components much more easily for the life of the amp. 

Since completely changing everything except the cabinet and reverb tank, the amp has taken on a different character, but is a beautiful alternative to the Blues Junior I knew and loved. It’s now got a Celestion G12H Anniversary Edition speaker, and in conjunction with the up-rated electronics is more articulate as a result. I’m still getting to know the amp, but can’t wait to see how it performs on gigs and shows as they come in! 
   

  

  

  

  

  

  

  

  

                      

                   

Christmas at Cliveden House

Christmas has been a pretty hectic time for gigs this year, with a performance on Christmas Day, and 3 on Boxing Day. Still, with them all being at Cliveden House it made for a very special couple of days.

In her regular attire, Cliveden is spectacular, but during Christmas she is even more resplendent in no small part due to the Christmas trees, and general extra decoration throughout the place.

It has been quite busy there this year, and myself and my musical colleagues have worked hard to provide the best quality jazz music possible in our time there. We’ve received a great number of positive comments, and hope to hear back from the business cards that have been handed out.

It’s now time for a quick rest before another clutch of New Year gigs, and then back into some sort of routine!

I wish you all the best for the New Year, and hope to grace a stage alongside, or in front of you sooner rather than later!


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Sound of Music Dress Rehearsals

Today I have two dress rehearsals for the Sound of Music, and we’re half way through the first act of the first run. It’s pretty interesting as this is the first time I’ve played in a room separate from the pit, and with a headphone mix/video feed. It’s taken a little getting used to, but it’s starting to feel really good. It is a bit odd being in a different place to the rest of the orchestra, and there is a lot of creaking overhead from the performers moving about on stage. It all makes for a very interesting experience, but it does a good job of forcing you to concentrate really hard. One other benefit of being in this room is that there’s quite a lot more space than I’m used to! Real luxury!!

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Sound of Music rehearsals

At the moment I’m getting ready to start rehearsing with the Oxford Operatic Society for their upcoming production of The Sound Of Music. I’m currently running through the pad and making sure there isn’t anything too unexpected in there, and all seems to be plain sailing at the moment.

I’m using a Line6 Variax Acoustic guitar for this show since there are a few mandolin cues that I’ll be covering with the Mandola voice on the guitar. I’ll be playing everything up an octave too, so that should give me a reasonable interpretation of the mandolin sounds the MD is looking for. I’ll be using the Martin OOO voice for the rest of the show which is a nice and focused sound which cuts through nicely.

The Variax is a great instrument and is a real asset in these settings. This will be the first time I’ve used it on a show like this, but I’m already feeling the benefit of not having lug extra kit around, plus the tangling of cables with multiple instruments is always something to contend with. Thankfully I won’t have to worry about that, or any rapid changes to and from instruments. Just a turn of a dial for me!

The show runs at the New Theatre in Oxford from the 28th of May to the 1st of June, with a matinee on the Saturday. I’m looking forward to the show since this will be the first time I playing at the New Theatre, and it wasn’t so long ago I saw Ray LaMontagne and Zappa Plays Zappa there, so it’ll be nice to grace the some venue as those guys!

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The Spin Jazz Club and Snake Davis

Last night I went to an excellent jazz venue in Oxford called the Spin. it’s held every Thursday night at the Wheatsheaf in the centre of the city. It’s a bit tricky to find (down a narrow alley along one of the main roads in the centre), but well worth the search!

Last night saw the fantastic Snake Davis play alongside the house band. Snake is a brilliant saxophone and flute player – extremely emotive in his presentation of his playing, but also also captivating to watch. He has a great bag of vocabulary, and can shred as well as he can be sensitive.

Guitarist Pete Oxley was in the House band alongside regulars Mark and Raf, and together they produced the perfect platform for Snake to work his magic.

They played a wide variety of tunes including numbers penned by Hoagy Carmichael, King Curtis, Pat Metheny and also Oxley himself.

I can’t recommend the club enough, although you’ll need to book in advance if you want a seat! hope to see you down there soon!