Playing Wicked with LMTO – The London Musical Theatre Orchestra

The London musical theatre orchestra is a relatively new organisation designed to take famous works and extend them to orchestral playing. The integrity of the original works is kept, however where necessary additional parts are arranged to accommodate extra members of the orchestra not normally present in the show’s stage counterparts. 

The most recent production, that I had the honour to perform, was the music of Wicked, as part of a 100 piece orchestra which included 40 voices! 

The music was orchestrated for two guitars of which I was Guitar One. This particular part had the majority of the electric guitar parts and included passages requiring me to use an Ebow and Seek Wah sound amongst typical heavy distortions and shimmery cleans. There were a lot of interesting suspended chord voicings, searing lead lines and some delicate chord and arpeggio work. A real workout! 

There are many ‘corners’ in the music of Wicked, involving lots of time signature changes and variations in feel. In order to navigate these we had a rehearsal in the afternoon and a full run-through with the choir in the evening. The sound was incredible, and it was a real buzz to play this music in such a setting. 

It was a shame we couldn’t perform the music to an audience (due to rights issues), however I am hopeful that the opportunity will arise in the near future. The next show will be the Sound of Music, however I will be otherwise engaged elsewhere, so I will have two wait for the next one! Do check out the LMTO, as it’s a fantastic organisation! 

Sound of Music Dress Rehearsals

Today I have two dress rehearsals for the Sound of Music, and we’re half way through the first act of the first run. It’s pretty interesting as this is the first time I’ve played in a room separate from the pit, and with a headphone mix/video feed. It’s taken a little getting used to, but it’s starting to feel really good. It is a bit odd being in a different place to the rest of the orchestra, and there is a lot of creaking overhead from the performers moving about on stage. It all makes for a very interesting experience, but it does a good job of forcing you to concentrate really hard. One other benefit of being in this room is that there’s quite a lot more space than I’m used to! Real luxury!!

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Sound of Music rehearsals

At the moment I’m getting ready to start rehearsing with the Oxford Operatic Society for their upcoming production of The Sound Of Music. I’m currently running through the pad and making sure there isn’t anything too unexpected in there, and all seems to be plain sailing at the moment.

I’m using a Line6 Variax Acoustic guitar for this show since there are a few mandolin cues that I’ll be covering with the Mandola voice on the guitar. I’ll be playing everything up an octave too, so that should give me a reasonable interpretation of the mandolin sounds the MD is looking for. I’ll be using the Martin OOO voice for the rest of the show which is a nice and focused sound which cuts through nicely.

The Variax is a great instrument and is a real asset in these settings. This will be the first time I’ve used it on a show like this, but I’m already feeling the benefit of not having lug extra kit around, plus the tangling of cables with multiple instruments is always something to contend with. Thankfully I won’t have to worry about that, or any rapid changes to and from instruments. Just a turn of a dial for me!

The show runs at the New Theatre in Oxford from the 28th of May to the 1st of June, with a matinee on the Saturday. I’m looking forward to the show since this will be the first time I playing at the New Theatre, and it wasn’t so long ago I saw Ray LaMontagne and Zappa Plays Zappa there, so it’ll be nice to grace the some venue as those guys!

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